Pattern Design - Bent Lines Checker

Procedural pattern reconstruction made in Substance Designer and rendered with Blender 4.2 (Cycles).

This one is based on textile pattern designed somewhere between 1923 and 1924 by Russian pattern designer, Varvara Stepanova.
She was born in Kaunas (in modern-day Lithuania) came from peasant origins but was able to get an education at Kazan Art School, Kazan. With her husband Alexander Rodchenko, she was associated with the Constructivist branch of the Russian avant-garde, which rejected aesthetic values in favour of revolutionary ones. Her activities extended into propaganda, poetry, stage scenery and textile designs.

In the years following the revolution, Stepanova involved herself in poetry, philosophy, painting, graphic art, stage scenery construction, and textile and clothing designs. She contributed work to the Fifth State Exhibition and the Tenth State Exhibition, both in 1919.
In 1920 it came to a division between painters like Kasimir Malevich who continued to paint with the idea that art was a spiritual activity, and those who believed that they must work directly for the revolutionary development of the society. In 1921, together with Aleksei Gan, Rodchenko and Stepanova formed the first Working Group of Constructivists, which rejected fine art in favor of graphic design, photography, posters, and political propaganda.

In 1921, Stepanova moved almost exclusively into the realm of production, in which she felt her designs could achieve their broadest impact in aiding the development of the Soviet society. Russian Constructivist clothing represented the destabilization of the oppressive, elite aesthetics of the past and, instead, reflected utilitarian functionality and production. Gender and class distinctions gave way to functional, geometric clothing. In line with this objective, Stepanova sought to free the body in her designs, emphasizing clothing's functional rather than decorative qualities. Stepanova deeply believed clothing must be looked at in action. Unlike the aristocratic clothing that she felt sacrificed physical freedom for aesthetics, Stepanova dedicated herself to designing clothing for particular fields and occupational settings in such a way that the object's construction evinced its function. In addition, she sought to develop expedient means of clothing production through simple designs and strategic, economic use of fabrics.

The digital variation of this pattern is avaliable as part of my Pattern Collection for CG Visualisation on Blender Market:
https://blendermarket.com/products/pattern-collection
and Gumroad:
https://gbaran.gumroad.com/l/twgyi
Cheers!!!